Craft and Technique
The working craft. Accents, scene study, Meisner, Chekhov, voice, and the long practice of getting better.
Articles in Craft and Technique
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Character research: interviews, documentaries, and the books that actually help
When a role asks for specific research (a profession, a condition, a subculture), most actors default to a general internet skim and call it done. Real character research is narrow…
Meisner, Chekhov, and Stanislavski: how the three relate
Meisner, Chekhov, and Stanislavski are three of the most influential acting techniques in Western training. They are not competitors and they do not teach the same thing. Stanislav…
Voice work for actors: what a daily warm-up should cover
A daily vocal warm-up for an actor is not a marathon. Fifteen minutes, done consistently, will do more for your voice than an hour twice a week. The warm-up has five components: br…
Resonance, placement, and what the camera actually hears
Microphones hear differently from a theatre’s back row. They pick up breath, they register tension in the throat, and they amplify every resonance imbalance. Voice work for screen …
Vocal health on a heavy shoot week: steam, silence, and sleep
A heavy shoot week can wreck an untrained voice. Long days, cold trailers, crying scenes, and after-wrap conversations all add up fast. This article gives you a practical vocal hea…
Voice coaching vs singing lessons: where they overlap and where they part ways
Actors regularly ask whether singing lessons can double as voice training. The answer is partly yes and partly no. They overlap on breath and resonance. They diverge on the things …
Learning an accent that holds under pressure
Learning an accent for performance is different from learning one for casual use. A performance accent has to hold under pressure, through emotional scenes, and while the actor is …